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Peñíscola sign by the beach, with the old town and castle beyond

Peñíscola: The Castle and the Sea

On the coast of Castellón, in Spain’s Valencian Community, Peñíscola rises from a rocky headland into the Mediterranean. White houses gather beneath a stone castle; from the beach, town and fortress form a single silhouette.

The view gives the place its character: solid walls, open water and light that changes the colour of the stone. To understand Peñíscola, begin with that meeting of architecture and sea.

Peñíscola castle and walled old town seen from the beach

A Templar fortress, a papal home

The Knights Templar built the present castle between 1294 and 1307 over an earlier Islamic fortress. Thick walls and vaulted rooms express a practical kind of beauty, shaped by defence and the commanding position above the water.

In the fifteenth century, Benedict XIII — known as Papa Luna — made it his residence during the Western Schism. A fortress built for a military order became a papal home: two histories held within the same restrained stone architecture.

Beach parasol and loungers overlooking Peñíscola castle

The beach and the walled town

Below the castle, whitewashed streets descend through the old town towards the sea. From the shore, the defensive walls remain part of everyday life: a backdrop to a swim, a beach chair or an unhurried walk.

That is part of Peñíscola’s appeal. The monument belongs to a lived-in coastal town, where the scale of medieval stone meets the small pleasures of a Mediterranean day.

Macarena by the waterfront at dusk in a blue patterned dress

When stone becomes colour

As evening settles, the bay offers another way of reading the place. Ochre stone warms, the water deepens to blue and reflections stretch across the surface.

For Macarena de Alba, this is where observation begins: the contrast between structure and fluidity, quiet neutrals and a clear blue. A palette gathered by the sea can become a starting point for colour, print and the movement of fabric.